DEATH, THRASH, BLACK, HEAVY, DOOM AND ROCK METAL ZINE

- REVIEWS, REPORTS, INTERVIEWS - SUPPORT METAL UNDERGROUND

čtvrtek 11. července 2019

Interview - VOMITORY - We don’t plan to write or record any new music.


Interview with legandary death metal band from Sweden - VOMITORY.

Answered drummer Tobias Gustafsson, thank you!

Translated and questions prepared by Petra, thank you!

Many thanks for Martina Cooper and Lenka for realization this interview!

Hi Tobias! Greetings to Sweden! So, it looks like VOMITORY are back! Why did you decide to come back on the scene? 

Well, we started to talk about it after our temporary reunion show in 2017. We were doing the special appearance at Summer Breeze festival in honor of the late Metal Blade label manager in Europe, Michael Trengert. He passed away in 2013, he was the label manager of Metal Blade for many years, and he also worked with the Summer Breeze festival. He was the one who signed VOMITORY back in the days, so we worked closely together during the years when he was with the Metal Blade. So, in 2017, when Summer Breeze was celebrating the 20th anniversary, they decided to do a special tribute stage for Michael in his memory. So they asked us if we could do one of the reunion show to honor of his memory. And of course, we said yes to that. I mean, we have never planned to reunite ever again. But then they proposed us this, to play on such special occasion, it was something that we felt we want to do to Michael honor, since he did so much for us, for the band. We were playing that show, and we enjoyed it a lot, so we started to talk a little bit about maybe doing something in 2019 to highlight the 30th anniversary. So we didn’t decide anything at that time, but last year in August or maybe it was earlier, we talked about doing this thing. It is just temporary thing for this year. So we agreed to do it because, yes, it sounded very good when we played at Summer Breeze, and you know we don’t plan to write or record any new music, just play live shows this year to have fun, you know. 


After your last words, would you say, if is something new in the VOMITORY headquarters? 

Well, not…. but yeah, the new is that we are actually continuing in the next year also, haha. The reunion was planned just for this year only, that was the initial plan. But actually, we got too many offers and too little time this year. We want to play at more places where we have never played before, and we are enjoying this lot more as we expected so we don’t see any reason to not continue for the next year. But we won’t play as many shows as we are doing this year. So that is the latest news in the VOMITORY camp. 

Do you plan some new VOMITORY music as well? Preparing new record perhaps?

No, we are not planning any new music or a new record. As I said, this is a temporary reunion. But you know, you should never say never. Because when we split up in 2013, we officially said that we will never reunite ever again. But apparently, we did it, so I am not saying never, but no, there are no plans to write any new music.

So now you are touring for the 30th anniversary of the band and next year is just continuing of this anniversary tour, am I right?

Yeah, because the interest for VOMITORY is a lot bigger than we expected, from fans, from promoters of festivals, and shows. So we feel, we are very humble for that of course and now we get a chance to play at places we never played before. For example, in September we are going to South America for the first time, which is great. 


This year I visited Netherlands Deathfest, where you performed, and I must say it was one of the best concerts of the festival! Did you enjoy the whole festival or you stayed there only for a day when you performed? 

We went there one day before, so we arrived in the evening on Saturday. We had a very good party. We met a lot of friends, caught a few bands which were playing before us on Sunday. It is a very nice festival and also a very nice venue in Tilburg.

So you visited some shows there. Which one was the best?

I didn’t catch so many bands, but my favorites were PROSTITUTE DISFIGUREMENT and UNLEASHED.

After VOMITORY disbanded back in 2013, you established the new band CUT UP. Are you going to continue also with CUT UP this year?

We continue with CUT UP as well. We have just started writing new music for our third album. I don’t know when it will be recorded or released, but it will definitely happen during the next year. So there is new stuff with CUT UP coming. 

That’s great, we are looking forward.

Do you live in one city in Sweden? Is it easy for you to meet together, rehearse, and write new music? How do you compose new music material, together or separately? 

We don’t live in the same city, but three of us are based pretty close together. The fourth one, Erik the vocalist lives like 45 hours…. Hours? 45 minutes, I mean, haha.

45 hours, it would be like below Rome, haha

45 minutes drive from where we have our rehearsal place, so it’s very easy for us to get together and rehearse and so on. Since we are not writing any new music nowadays, but when we did, we were composing separately, I would say. And then finish complete song/music presented to the other guys in the van, our rehearsal room. And then if there are any finishing touches have to be done, we did that together. And after that, the lyrics were written to the song mostly by Erik.


I know it could be exhausting, but could you try to say a few words about each record you have released until now? Some story behind it? Which one is the most important for you if it is ever possible to choose one?

Oooh, this is a boring question. Well, the most important album is probably the first album. That is probably the most important for every band, I guess. In many ways. I love all eight VOMITORY albums, you know for different reasons. And the all makes sense, I think. 

The first one “Raped in their own Blood” was very relieving feeling to us to record and release that one. Not only just finally to have a debut album out, but also because the half of the material was old material – stuff that we have at our demo tapes previously released in some form. We have been playing those songs for a very long time, so it was good to finally record them and released them. And just get rid of them, haha. You know what I mean. To start over with new stuff after that. It was a very relieving feeling. And I also think that one can hear quite obvious development in our style from first to our second album. 

Concerning the second one “Redemption”, I remember we didn’t have enough material, so everything was very stressful. Even when we were in the studio, we were actually considering making of mini-LP out of it. But then we wrote a couple more songs in the studio, and there was one cover song from GOD MACABRE, so we barely made it.

The third album “Revelation Nausea” is very important in the sense that I think the first of all it is the first one released on Metal Blade Records. We just got signed to them in 1999. It is also the first album as the four-piece band. Previously, we were five members. And the first one with Erik on vocals. It also presented the style that VOMITORY became to get mostly known for. That is where we cemented our style.

Fourth album “Blood Rupture” was very successful also. We did a few tours in early 2000. I remember especially on this album we did European tour for a month together with AMON AMARTH. It was not a very successful tour because we were struggling with ticket sales and money. But it was still a great tour because the audience was amazing and we also got some really good friends on that tour. That was the first time when VOMITORY and AMON AMARTH met and we still friends ever since, so it was a great experience. 

Let’s see album number 5. “Primal Massacre” is a little bit overlooked I would say because we got an extremely great response from both albums, “Revelation Nausea” and “Blood Rupture”. I would say it was difficult to make a follow up, but yes, we received the review that it was good as the previous one, but still, it was… I mean, I listen to it nowadays and I really love that one. I think it is a killer. There is a lot of really nice songs. That was the last one featured with Ulf Dalegren, the guitarist. He left the band shortly after.

In 2006 Peter Östlund joined on guitar as a replacement of Ulf, and we wrote our sixth album “Terrorize Brutalize Sodomize” which I think is probably the most brutal one we ever did. Not only production but also artwork is incredibly nasty, I think. I love it for it. It is Peter’s first album with VOMITORY.

Our seventh album „Carnage Euphoria“ was released in 2009, which was also marked the 20th anniversary of the band. We did one European tour with MALEVOLENT CREATION that year, which was also a really nice experience, because we have some very good friends in that band, too. We had a great time for a month. The personal thing that “Carnage Euphoria” is one of my personal favorites for different reasons. I like the sound; I like the diversity of the songs and so on. It’s a nice one.

And the last one we did “Opus Mortis VIII” is also a really good album. I can’t think of any special about that one. Some funny stories or anything like that. It’s probably our most clean sounding album as for as production goes. At that time we liked it, nowadays when I look back and listen to it, I think it maybe turns around a little bit too clean. It should have been rougher and more brutal, but still, it sounds really good. And performances on that one are really really good, too.



Could you describe your relationship with your brother? You are together in one band for more than 25 years. A similar case is only Tardy's brothers from Obituary, haha. Is it sometimes difficult spent so much time together or you get along well with brother?

We get along really well. I mean, we were not only been in the same band for more than 25 years but in the same life for at least my 45 years, haha. I think it has never been a problem. Of course, in the early teens, he had his friends, and I had my friends. But the older we got then we started to play together, we more less got the same friends and hanged out with the same metal gang, if you want. It’s been very easy. Of course, sometimes you get more annoyed by your brother than by anyone else. Just because of certain things. I think the older we get, the easier it also gets. As I said, it’s never been hard, we are friends, more like good friends.

Nowadays, the return to the old school death metal is very popular. Every year the new bands playing old school are founded. Do you know some of those bands like Gravebomb, Gatecreeper, Tomb Mold, Crawl, etc.?? Do you monitor the new young bands or rather you listen to the great old stuff?

I try to listen to new stuff as everyone in a while. And try to keep up what’s going on in the scene, but at the end of the day, I prefer to listen to the great old stuff. That’s how I do it. I know these bands that you mentioned, Gravebomb and so on, Crawl from Sweden, they are actually pretty good. I think it is great the new bands are coming and relight the scene because you cannot have only these old bastards like VOMITORY and other bands. You have to have new blood as well to keep the scene alive. That’s great!

Do you have some personal favorites from these new bands?

To be honest, I haven’t listened enough to have any favorites, yet.

Do you still go to concerts and support bands? 

Yes, I try to go as much as I can in the area where I live. There is a metal club here calls simply Metal Club. They have been doing this for twenty years, arranging the great concerts, you know, everything from the local metal bands to big bands like SATYRICON, they were also involved when MOTORHEAD was here. They bring a lot of great shows. And I try to support as much as I can.


What was the last album you have purchased? 

That I purchased myself? It is probably the last AT THE GATES album “To Drink from the Night itself”. Yes, I think that’s the one. 

What have you been listening recently? Give us some recommendation.

I’ve been listening to new MEMORIAM. I think it’s a huge step from the first album. I think this new one is really really good. Also, the new FIRESPAWN album is a killer. And I also listen to the last album from the SOEN, Swedish band. I don’t know much about the others, but the drummer is the previous drummer from OPETH. He is there in the band these days. I think that album is really really good. And I listen to IRON MAIDEN and MOTORHEAD, I do that all the time.

I am actually from Slovakia, but we are like brothers and sisters with Czech people. Do you have some friends from our metal scene? Do you have some favorite band from our countries?

Not many, but yes, I know a few people. You know I also play drums in NIFELHEIM since two years ago and nowadays, Blakosh is now the new guitarist of NIFELHEIM. So I know him. There is a couple more, but it is more acquaintances than you know. I met Dan of the TORTHARRY a couple of times. He’s a really nice guy, also Radim of SPASM. He is very nice. I saw the band a couple of times and of course the first you think that he is a lunatic, haha. Then I met him in person last month, and he introduced himself, and he is a super nice guy and….

And he is brewing very nice beer as well…

Yes, I heard the rumors, haha. I am looking forward to meeting him at Obscene Extreme. 

Could you share with us some funny story from the tour, maybe from a concert in Slovakia or the Czech Republic?

I was thinking before the phone call, but I can’t recall anything special from either Slovakia or the Czech Republic.

And from another country?

There are always funny and stupid shits happening on tour, haha wherever you are. Like once, when we lost one of the wheels from our tour bus when we were driving on the French highway. It was in 2002 on tour with AMON AMARTH.

It sounds more dangerous than funny.

Yes, it was very dangerous, we were sitting on the back seats, and then one of the VOMITORY guys was screaming: „We are loosing the wheels“. And we were driving like about 90-100 km/h on the French highway, so we went to the front, to the driver and told him this, because he couldn't feel it. And then we started to break, we could feel that the bus was sagging on the left side because we lost one of the wheels on the left side. It was actually two wheels on the same side. Both wheels bounced on the other side of the road, where we were meeting cars, but luckily no cars were driving at that moment. It bounced over the road into the forest. It was very lucky that nobody got hurt because it could have been really a disaster if the tire had hit another car. We had to stop and got the replacement bus, so the tour continued.


At the end of the interview, let me ask you one philosophical question. What actually death metal means to you? Try to imagine that death metal would not exist. Which musical style would you prefer to play in such a case?

I don’t know, I'm not a solely, I'm not only dedicated to death metal, but I like different styles of metal and different styles of music. But, I think if death metal would not exist, then I would probably not miss it since I wouldn’t know about it, haha. Of course, obviously, it means a lot to me, because we have done death metal for some many years. It also gave me the possibility to get out of our hometown and play in other cities, then we began to play in other countries. If we had played some other genre of metal in Sweden at that time, we would not have gone that for, I think. Since it was underground, DIY kind of tours and shows. I’m very grateful for death metal. Of course, it means a lot to me, and I still love playing it, I still love watching death metal bands on stage. If I wouldn’t play death metal, I know I would play tradition heavy metal or old heavy hard rock, maybe thrash, I don’t know. Something likes that.

No classical music in the orchestra?

You never know. I actually did some other stuff way back. It is fun for a short period. I would get too bored; you know to wait for my single hit when I would suppose to do. I would play rock in some way.

Thank you very much for the interview. I wish you all the best. I am delighted that VOMITORY is back and I’m sure I'll catch your show on Gothoom. The last words are yours.

As you said, we are playing on Gothoom, on 19th July. And the day before at Symbolic I will also play with GOD MACABRE, which will be the first GOD MACABRE show in more than a year and a half. That’s going to be very interesting. I am looking forward to it.




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středa 10. července 2019

Recenze/review - RECKLESS MANSLAUGHTER - Caverns of Perdition (2019)


RECKLESS MANSLAUGHTER - Caverns of Perdition
CD 2019, F.D.A. Records

Prvním pocitem, který jsem zažíval, když jsem vstoupil na onen svět, tak byl údiv. Fascinovala mě temná pestrost, monumentální stavby, zvuky, plné utrpení a bolesti. Pokud byste zde byli se mnou, určitě byste také stáli s otevřenou pusou. U zdí jsou přivázáni ti, kteří hřešili příliš, zrádci, falešní a zlí lidé. Jsou opravdu, jak se traduje, páleni žhavým železem, máčeni v oleji a maso je jim postupně trháno od kostí. Nenajdou nikdy klid, to je ten největší trest. Ale vás by asi zajímala muzika, nemám pravdu? Ano, hraje se zde převážně klasický death metal, co taky jiného.

RECKLESS MANSLAUGHTER vznikli v roce 2008 a letošní album je jejich třetím dlouhohrajícím počinem. Jedná se o tradiční materiál, jak vystřižený z devadesátých let minulého století a záležitost, která ze své podstaty nemohla uniknout mé pozornosti. Stačí se podívat na obal, pustit prvních pár skladeb a vím, že jsem tu správně. Jsem doma v záhrobí.



RECKLESS MANSLAUGHTER na to jdou podobným způsobem jako to dělávali kapely BOLT THROWER, MORBID ANGEL, DISMEMBER, v určitých momentech snad i AUTOPSY. Skladby nejsou zbytečně rychlé, pánové sází spíš na melodie a propracovanou atmosféru i strukturu. Nejedná se o nic nového, ani převratného, ale deska se velmi dobře poslouchá, má potřebný drive a sílu. Občas by sice chtělo trošku víc zatlačit na pilu, v některých momentech jakoby spadl z motorové pily řetěz, ale jako celek nahrávka v klidu obstojí. Nemám žádných námitek ke zvuku, ani k obalu, ani k produkci. Jen si říkám, že podobných desek a smeček je dnes poměrně dost a chtělo by to něco, co by tyhle šílené Němce odlišilo od ostatních. Mám zkrátka pocit, že tu něco chybí, možná moment překvapení, neotřelejší riff, pestrost, nevím. Každopádně, pokud máte jako já rádi tradiční syrový death metal, tak neváhejte, smrt nepočká. Velmi dobře!


sumarizace:


RECKLESS MANSLAUGHTER hrají jadrný, přímočarý smrtící kov staré školy v podobě, v jaké ji hrávali třeba takoví BOLT THROWER, MORBID ANGEL, AUTOPSY, ale i celá švédská škola. Skladby mají švih, jiskřivý náboj a nezapomíná se ani na studenější nápady. Album má velmi dobrý zvuk. Hudba zde není ničím výjimečná, ale RECKLESS MANSLAUGHTER mě zaujali svým přístupem a nadšením, energií, která ze "Caverns of Perdition" stříká na všechny strany. Čerpají z těch nejlepších klasiků žánru a výsledkem je velmi chutný, i když zahnívající pokrm. Přijde mi, že mi Němci naservírovali kousky masa prolezlého červy, hnisem a snětí. Nabírám je na vidličku, jemně je rozmělním na jazyku a polknu. Cítím, jak mě chladí, rozežírají vnitřnosti a výsledkem je (jak jinak) smrt v nekonečných křečích. Death metal někde na pomezí mezi krutostí, temnotou a chladem. Příjemně ošklivá záležitost! Doporučuji.


Asphyx says:

RECKLESS MANSLAUGHTER plays earthy, straight deadly old school metal in the way like BOLT THROWER, MORBID ANGEL, AUTOPSY, but also the whole more Swedish school. The songs have style, drive and they don't forget colder ideas. This album has very good sound. The music isn't extraordinary, but RECKLESS MANSLAUGHTER are for me interesting with their approach and enthusiasm splashing from "Caverns of Perdition" to all sides. They gain from the best of genre and the result is very tasteful even though rotten meal. I think Germans gave me pieces of meat full of worms and pus. I'm taking it with a fork, chewing up on my tongue and swallowing. I feel the cold, they're eating into my entrails and the result is (there is no other way) death in endless cramps. Death metal on the border among cruelty, darkness and cold. Pleasant ugly affair! I recommend.


Tracklist:
01. Blast into Oblivion
02. Unleash the Spirits of the Fallen
03. Operation Chastise
04. Vaporized Crucifix
05. Into Unknown Caverns
06. Catacombs of Perpetual Damnation
07. Stiffshifter
08. Decay in Embryo
09. Funeralmaster


band:
Chris: Bass
Leimy: Vocals
Pneumator: Drums
Sebi: Guitar
Dennis: Guitar


Info - PHILIP H. ANSELMO & THE ILLEGALS - 16.7.2019 – PRAHA – FUTURUM


Phil Anselmo, zpěvák legendárních PANTERA a klíčová osobnost amerického metalu, nabídne výběr duševní poruchy a skladby texaské legendy 

PHILIP H. ANSELMO & THE ILLEGALS 

16. 7. 2019 – Praha, Futurum 

Philip Anselmo je nejen pro své účinkování v Pantera jedna z klíčových osobností amerického metalu. Proto i návštěva koncertu jeho kapely v Praze bude určitě z těch památečných událostí už jen proto, že Philip H. Anselmo & the Illegals vždy hrají několikero skladeb Pantera! 



Průšvihář, násoska, pařan, provokatér, milovník harcore punku a black metalu, majitel extrémního hudebního labelu, covhubětonajazyku, přesto člověk se silným osobním sdělením. Především však fantastický zpěvák a neuvěřitelný talent. Toto všechno je někdy kontroverzní osobnost Phila Anselmo, zpěváka legendárních stylotvůrců Pantera. 

Po rozpadu texaské ikony, kdy se Anselmo ani nezúčastnil pohřbu dlouholetého spoluhráče Dimebaga, čehož později vělmi litoval, se Phil jal věnovat svým aktivitám v projektech Down, Superjoint (Ritual), Scour a mnoha dalších. A když se nad tím tak zamýšlíme, napadá nás, že tenhle sběratel hororů má hodně podobného s Mikem Pattonem (Faith No More). Podobně jako on vyhledává pro své umělecké pnutí nejrůznější způsoby a jedním z těch aktuálně stálých je jeho „psychiatrická léčebna“ pod emblémem THE ILLEGALS, kde dokazuje, že tomuhle už abstinujícímu padesátníkovi dech nedochází. 

Hudba The Illegals je totiž nekontrolovatelná jízda. Blastující tempo, noisové výplachy, disharmonická skřípání a Philovy chorobné, někdy až děsivé vokály plné utopických sdělení, hněvu a zloby, takže je i prakticky prosta melodií. Důležitý je neustálý tlak. Prostě totální extrém a hudba bořící jeho standardní formu velmi osobitým a těžce uchopitelným pojetím. 

Co se osoby H. Anselma týče, ten v dětství v rámci nepovedeného žertu zapálil dům rodičů a musel se skrývat a přespávat u kamarádů. V divokých letech, kdy Pantera brouzdala celým světem a vyprodávala haly, se r. 1996 Phil předávkoval heroinem a jeho srdce nebilo pět minut. Je tedy více než symbolické, než se William DuVall po obnovení Alice in Chains stal po smrti Layne Stayleyho trvalou náhradou, byl v r. 2006 chvilku na pozici zpěváka seattleské legendy právě Anselmo. Krom fantastických pěveckých dispozic ale Phil disponuje i velmi silovým projevem, ten využívá právě v The Illegals, a specifickým výrazem, takže svůj hlas průběhem kariéry propůjčil do kapel jako Anthrax, Biohazard, Cattle Decapitation, Crowbar, Iommi, Satyricon, Soilent Green, Eyehategod a mnoha dalších. 

Philip H. Anselmo je jedna z klíčových osobností amerického metalu a jeho pevné místo v metalových dějinách je nezpochybnitelné. Proto návštěva koncertu jeho kapely v Praze bude určitě z těch památečných událostí už jen proto, že The Illegals v oblibě hrají několikero skladeb Pantera. 



Delinquent (live 2018) - www.youtube.com/watch?v=NJOXmefzUBo


Pantera – 5 Minutes Alone www.youtube.com/watch?v=7m7njvwB-Ks
Pantera – Mouth for War www.youtube.com/watch?v=a3JSbOt7CLo


OBSCURE PROMOTION / BRUTAL ASSAULT AGENCY 

Na Harfe 916/9a 

190 00 Prague 9 

Czech Republic 


úterý 9. července 2019

Recenze/review - MANIPULATION - Mind Control Ultra (2019)


MANIPULATION - Mind Control Ultra
CD 2019, Satanath Records

for english please scroll down

Dva roky jsem před lety na civilní službě vozil mrtvá těla na pitevnu. Ošklivé bouračky, sebevrahy s děsem v očích, utopence, smrdící bahnem. Toulal jsem se nemocničními chodbami, přihlížel nekonečným pitvám. Znám mnoho podob smrti a kolikrát jsem měl co dělat, abych se z toho nezbláznil. Nakonec mi vždy pomohla dobrá extrémní hudba. Se sluchátky na uších vypadalo všechno tak nějak lépe, příjemněji. 

Když jsem poprvé slyšel novou deskou polských death metalistů MANIPULATION, měl jsem najednou zase pocit, že před sebou tlačím několik metrů pod zemí vozík s mrtvým tělem. Atmosféra celé nahrávky je hodně podobná. Jako bych se vrátil v čase a umýval si ruce po spalování částí amputovaných těl. Album působí stejně syrově, mrtvolně, chladně a temně.




"Mind Control Ultra" je nahrávkou, která je postavena na pevných klasických death metalových základech. Ty dále kapela rozvíjí, obohacuje o modernější prvky, nebojí se ani lehké progrese. Vše neskutečně řeže, riffy jsou bolestivé, přesně zacílené do těch nejcitlivějších oblastí. Kráčím pod umělým nemocničním světlem a krve by se ve mě nedořezal. Už týden mrtvé tělo najednou promluvilo a začalo pařit do stejného rytmu jako já. MANIPULATION si dali se vším velkou práci a neponechali nic náhodě. Vynikající, drsný je zvuk, obal také zaujme. O nápadech netřeba psát, těch je na "Mind Control Ultra" tolik, že na povrch vylezou až po několikátém poslechu. Dnes již nejsem v nemocnici zaměstnán, ale pokud si budu chtít zavzpomínat na smrt, tak si album pokaždé rád a s chutí pustím. Má v sobě totiž velký náboj, drive, sílu, temnotu a hnis. Takhle nějak si představuji skvělé patology, které si místo skalpelů vzali do rukou hudební nástroje! Mrtví se jednou stejně vrátí, aby pomstili všechny křivdy! Skvělý počin!





Asphyx says:

Two years ago, in civilian service, I carried dead bodies to the autopsy room. Ugly chunks, suicides people with horror in their eyes, drowned people stinking of mud. I wandered through the hospital corridors, watching the endless autopsies. I know many forms of death and many times I have had to do a lot to get out of it and not to become crazy. At last always helped me good extreme music. With headphones, everything looked better, more pleasant.

When I first heard the new album of Polish death metallers MANIPULATION, I suddenly felt like I was pushing a trolley with the dead body a few meters under the ground. The atmosphere of the whole recording is very similar. As if I came back in time and washed my hands after incinerating amputated parts of the bodies. The album have a same impact is raw, deadly, cool and dark.



"Mind Control Ultra" is a recording that is built on solid classic death metal bases. They are further developed by the band, they enriching them with more modern elements, not even afraid of light progression. Everything cuts incredibly, riffs are painful, precisely targeted to the most sensitive areas. I walk under the artificial hospital light and the blood would not be cut in me. Suddenly, the one week dead body had spoken and started to beat the same rhythm as I did. MANIPULATION has done a lot of work with everything and left nothing to chance. Excellent, harsh sound, the cover also impresses. There is no need to write about ideas, so many of them are on “Mind Control Ultra” that they will only come to the surface after several listening. I am no longer employed in the hospital today, but if I want to remember death, so I like to play this album. It has a great charge, drive, strength, darkness and pus. This is how I imagine great pathologists who have taken musical instruments into their hands instead of scalps! The dead will come back once to avenge all grievances! Great work!



TRACKLIST
1. Instruments Of Change
2. Worshipers Of Mirage
3. Slaves Of The System
4. From The Inside
5. MK-Ultra
6. Limits
7. Energy Of The Universe
8. The Skull With Acid In Eye
9. Room 216
10. Trample The Weak
11. RFID
12. Tale Told By An Idiot

band:
Rado.Slav, Kriss, Bysiek, Vulture

Info - Dva koncerty HAKEN - zítra Brno a pozítří Bratislava


Haken překonávají všechny hranice

HAKEN, MODERN DAY BABYLON

středa 10. července 2019 – Brno, Melodka fb event: www.facebook.com/events/417692865683160 předprodej: https://obscure.cz/en/tickets/detail/id/247

čtvrtek 11. července 2019 – Bratislava, Randal fb event: www.facebook.com/events/2402729043342071 předprodej: https://obscure.sk/cs/tickets/detail/id/248

„Neděláme rádi jednoduchou hudbu, přitom se vždy snažíme vzdorovat očekáváním. Tentokrát jsme však překročili všechny mety, které jsme si předsevzali“. Tolik uvádí k pracím na novému albu „Vektor“ zpěvák Ross Jennings.

Jak by pak nebylo pochopitelné, že si šestice Anglánů kladoucí si před sebe překážky a cíle za pouhých 10 let omotala progový svět kolem svých hbitých prstů. Svá alba nesvazují snad žádnými myslitelnými pravidly a jejich moderní vizionářské zření na nich vytváří symbiózu všech progových směrů, bez ostychu a se suverenitou se ale umí vnořit do art rocku 70. let. Tím se za svou krátkou existenci pro svůj kreativní, žánrově i zvukově proměnlivý přístup stali respektovaným a velmi vyhledávaným artiklem, který hrál snad na všech myslitelných progových festivalech současného hudebního světa.

Však o koncertech Haken se dá hovořit jen a jen v superlativech, protože tahle kapela hudebních „profesorů“ nejenže podává bezchybné výkony, ale pumpuje do nich i neuvěřitelnou energii. I proto v diskografii na žádost fanoušků už mají velmi ceněnou živou desku, i proto už několikrát předskakovali slovutným Dream Theater, i proto v zimě pojedou turné s Devinem Townsendem a takto bychom mohli pokračovat.

Nová deska „Vektor“ opět dostála jejich jménu. Tentokrát se kapela sama ujala produkce a namísto věhlasného Jense Borgena si pro mix/nahrávání vybrali Adama „Nollyho“ Getgooda, ex-basáka Periphery, což kytarista Charlie Griffiths vysvětlil tím, že prostě po jemnější „Affinity“ měli přirozeně tvrdší přetlak a tak je Vektor i nejtvrdší a nejnariffovanější deskou.

Jako support na obou koncertech Haken vystoupí tuzemští MODERN DAY BABYLON, kteří jsou na domácích pódiích spíše sporadicky, neb se velmi silně prosazují za hranicemi. Jen výčet jejich tours: tři evropská, jedno kanadské, letos v dubnu už absolvovali jedno po Číně. A v září míří opět na letiště, odkud odlétají na miniturné do Japonska. Jejich chytlavý djent/prog metal s ambientními podkresy získává spoustu ocenění a jde o jednu z kapel, která si trvale drží vysokou úroveň a drží žánr djent nad vodou.

HAKEN (UK) – progressive metal – InsideOut Records The Good Doctor - www.youtube.com/watch?v=BD3v8w57_lU Initiate - https://www.youtube.com/watch?v=-7pEXGCtnnk Lapse - https://www.youtube.com/watch?v=EdabtT7mUGI Cockroach King - www.youtube.com/watch?v=0_e4YX73Ww4


support: MODERN DAY BABYLON (CZ) – djent, progressive metal www.youtube.com/watch?v=CGqWThGh0x8 www.youtube.com/watch?v=4z9X0htC3mg

OBSCURE PROMOTION / BRUTAL ASSAULT AGENCY

Na Harfe 916/9a

190 00 Prague 9



pondělí 8. července 2019

Recenze/review - ABYSSAL - A Beacon in the Husk (2019)



ABYSSAL - A Beacon in the Husk
CD 2019, Profound Lore Records

for english please scroll down


Nekonečná hlubina pode mnou. Vidím jen ostré hroty břitů, točících se v nekonečných spirálách. Čekají na mě, vím to. Mám závratě a zvracím krev. Už jen pár okamžiků a letím vzduchem. Poslední nádech, obličejem dopadnu přímo na čepel. Jsem postupně rozemlet, stanu se kusem masa, určeným k likvidaci. Nevěříte? Tak si pusťte novou desku britských ABYSSAL.

Někde jsem kdysi četl, jakým způsobem působí na lidské tělo sněť slezinná. Troufám si tvrdit, že poslech novinky "A Beacon in the Husk" bude vykazovat podobné příznaky. Budete stejně shnilí, zničení a propadnete se do temnoty. Vítejte v říši totálního nihilismu.



"A Beacon in the Husk" je albem, které ve vás zanechá stejné otisky, jako to umí třeba takoví AUROCH, IMPETIOUS RITUAL, ULCERATE, VASSAFOR, DIOCLETIAN, PORTAL. Ano, jedná se o stylově hodně podobné dílo, které je po okraj narvané nahrubo nasekanou tmou. Pro mnohé bude tento způsob smrti až příliš nepřehledný, bude se ztrácet v komplikovaně vystavěných motivech, ale věřte tomu, že pokud máte rádi jako já rouhání v death metalu, nakonec dojdete svého cíle a spočinete. Podobná hudba se velmi těžko popisuje slovy, je totiž převážně o negativních pocitech, o našeptávání, o zážitcích spojených se setkáním s mrtvými. Málokdo už dnes pochybuje, že by existoval onen svět. Album v něm bylo nahráno, opatřeno drtivým zvukem, chladem a špínou. Přidán byl zajímavě řešený obal a samozřejmě smrt. Pokud tedy máte rádi hlukové stěny, disharmonii, okultní záhady a nekonečně mokvající bažiny, tak neváhejte. Temnota čeká! Velmi dobře.


Asphyx says:

Infinite depth under me. I can only see the sharp edges of the blades turning in endless spirals. They're waiting for me, I know it. I have dizziness and I am vomiting blood. Just a few moments and I fly through the air. The last breath and I am falling by my face directly on the blade. I am gradually grinding, I become a piece of meat for disposal. Don't you believe? So listen to new album of British ABYSSAL.

Somewhere I once read how the spleen gangrene affects the human body. I dare say that listening to the news "A Beacon in the Husk" will show similar symptoms. You will be rotten, destroyed, and fall into darkness. Welcome to the realm of total nihilism.


"A Beacon in the Husk" is an album that leaves you with the same prints as AUROCH, IMPETIOUS RITUAL, ULCERATE, VASSAFOR, DIOCLETIAN, PORTAL. Yes, it is a very simmilar work, which is full of roughly chopped darkness. For many, this way of death will be too confusing, they will be lost in elaborately constructed motives, but believe that if you like death metal blasphemy, then you will find your goal and you will rest. Similar music is very difficult to describe in words, because it is mostly about negative feelings, about whispering, about the experiences associated with meeting the dead. Almost no one is doubt that the other world exists. The album was recorded there and have crushing sound, cold and dirt. Added was an interestingly designed cover and of course death. So if you like noise walls, disharmony, occult mysteries and endlessly swamping swamps, don't hesitate. Darkness is waiting! Well Done!


TRACKLIST
02. I - Recollection: Shapes upon the Retina
03. I - Recollection: Awakening / Metamorphosis
04. II - Discernment: The Cloister Beneath the Grime
05. II - Discernment: Khyphotic Suzerains
06. II - Discernment: The Triumph of Fools
07. III - Descent: We Who Beheld the Fall of Axioms
08. III - Descent: A Beacon in the Husk
09. Soliloquy

A few questions - interview with death metal band from France - CATALYST


A few questions - interview with death metal band from France - CATALYST.

Recenze/review - CATALYST - The Great Purpose of the Lords (2019):

Ave, can you introduce your band to our readers? – When was it founded and what style of music do you play, etc.? 

Hello! We are Catalyst, a French technical death metal band that was born about 2 years ago, at the beginning of 2017. It was founded by me (Jules Kicka) because it’s a project that I wanted to create for a long time. It is now made of 4 musicians: Jefferson Brand (bass), Florian Iochem (guitar), Paul Loup (drums) and me (vocals/guitar). 

We make technical death metal, with multiple influences, from Heavy to Black Metal, with a lot of Prog riffs and structures. 


Where and under what conditions were you recording the new album? Who was in charge of sound, production and mastering? 

All guitars, bass and orchestrations were recorded at my home studio, and the vocals, mix and master were made at the Vamacara Studio from Clisson. It was HK Krauss that was in charge of the sound! Everything was recorded between February and June 2018. 

How many copies were released, and which medium was used for this new edition (CD, digital, vinyl, cassette)? 

For the moment we have made a first production of 500 copies for our CD. This album is also available for free on YouTube, Apple Music, Spotify, Deezer... But you can buy it by sending us a private message or on our Bandcamp account. You can also get it on our label Website, or on Season of Mist. 

We would love to make vinyl in the future, perhaps by the end of this year. However, we are not interested in making cassette, since our album won’t match with this format. 


Who is the author of the lyrics and how were they created and about what do the lyrics deal with? 

I wrote all the lyrics and all the fictional story of this album. The band itself is a concept that I’ve created, telling the journey of a character named the Catalyst, who was meant to become the new ruler of our universe. 

To explain the story of this first album, it’s the story of a universe which has been created by 9 All-Seeing Entities, protecting this world from everything. But, among them, the Creator of the universe lost control upon its own creation. The equality between each guardian has been destroyed, breeding chaos and disorder in this once-peaceful core, spawning the darkest behavior among humans, whom scoured to reign upon every other creature. Powerless, the Guardians endlessly sought someone who would be able to help them recover their former might, and to restore the balance they conceived since the creation of time. That living soul shall be the Catalyst, who will bring the Guardians’ powers together and gift wisdom and knowledge to the universe. 

Who created the logo of the band, and who took care of the graphics and the website? 

The logo was initially created by Bael from Ars Goetia Design, and was modified by Vincent Fouquet from Above Chaos. Vincent was also in charge of every graphics of this first album (artwork, stage decoration, T-shirt design...). We are so proud of his work, he perfectly understood the whole concept behind catalyst, and knew what we needed for this record. We don’t have a proper website for the moment, but we will have our own website soon. 


What about you and social networks? Do you consider these things important? 

Regarding the social media, we think that they are really important, we try to be as much active on them as we can, however I must admit that I’m not comfortable with Twitter for example, I rarely use it and it’s not my favorite media. But we try to post on Facebook twice a week or even more, and to constantly give new things to our audience. Instagram is also important but it’s pretty new for us since we are on Instagram since February of this year, so we don’t completely master this social network for the moment. 

We consider that these media are really important today because it can help a band to develop and spread its work. The more we use them, the better it will be for our future. A lot of fans discover our band through these media, if you want to build an audience, it’s necessary to use these media. 

Which label did you choose for releasing your album and why this label? Are you satisfied by how your label represents you and takes care about you? 

Catalyst has signed with Great Dane Records for this first album, which is a french label from France. We are perfectly satisfied of their work for the moment, it’s really cool to have the support and the help of people like them, it helps us to grow and to move forward. It really helps us to create a worldwide broadcast of this album. 

Which bands do you idolize and where do you get your inspiration? 

We can say that we idolize bands like Opeth, Dying Fetus, Nile, or Death, we think that our music can sometimes be pretty close to these bands, even though we don’t want to make the same things. Regarding my inspiration, I am mainly inspired by two bands when it comes to writing new songs: Machine Head and Iced Earth, which influenced me a lot during the writing of this album, from the riffing to the structures of the songs. 


How many gigs have you played? Which type of gigs do you prefer, whether it's (clubs or festivals) and which of your performances would you consider as the best? 

We have played around 15 shows for the moment, since we didn’t have much time for it last year. But we are about to play way more gigs in the future! We love to play in both clubs and festival, I don’t know which one is better. 

I think that our best performance was on June 14th during the release party of our first album. It was the first time that we played this album entirely, and it was such a special moment for us to share the full album with the crowd that was here this night. It was really unique. 

What about your plans for the future? What do you want to achieve with the band? 

For the moment we will be promoting this album everywhere and every day, making a lot of gigs to spread this new CD, and we are already writing the new album, that shall be the second chapter of the story of the Catalyst. 

We want to achieve a lot of things, to prove that our music is more than just classic death metal, but a whole story and unique universe that we try to develop. 

How and where can your fans contact you? Can you provide some contact information? 

Our fans can contact us on Facebook, Instagram, Twitter, YouTube, or on this mail address: catalystbandfr@gmail.com. We answer to every type of question, so if you want to tell us something, don’t be shy and send us a message! 

Thanx for the interview. 

Thanks a lot my friend!

Info - Symbolic Fest Open Air - 17. - 20. 7. 2019, Tři Dvory u Kolína

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